Angus Lee join fellow HKU composers Jeremy Feng, Charles Lee, and Jing Wang in a roundtable discussion of chamber music writing with HKU MUSE visiting composer, Elisenda Fábregas.

In January 2027, Angus Lee will participate in Heimat | Homeland | 家, an intercultural exchange between Vienna and Hong Kong hosted by mdw Vienna, featuring new music, workshops, concerts, and conducting activities…

Angus Lee presents Notation, Authorship, Interpretation, a guest lecture at HKU’s AI Literacy course, exploring AI, digital mediation, and contemporary musical practice.

The score video to Angus Lee’s award-winning orchestral work … aux cendres (2024) has been published on Score Follower’s YouTube channel. The work was selected as part of the Platform’s tenth anniversary edition of CFS.

Angus Lee has been selected as both composer and conductor to participate in the year-long residency programme, percept.concept.percept, organised by Inštitut .abeceda (Slovenia). He will develop a new work to be premièred at the 6th Bled Contemporary Music Week (2027).

Revisit here Angus Lee’s acclaimed performances — as both flautist and conductor — of Soubresauts (2020) and Hypothèse du sextuor (2011) by Philippe Manoury at HKU MUSE’s portrait concert of the composer in March 2026.

Watch here the world première of Angus Lee’s ... but only the radiant, shimmering— (2025-26), performed by Karen Yu (solo percussion) and Amy Chan (light installation). The work was commissioned by the Hong Kong Composers’ Guild.

Revisit Angus Lee’s debut appearance at the HKU MUSE concert series here in a special back-to-back performance of the two versions of Luciano Berio’s Sequenza I (1958; rev. 1992) from 2020. He recently returned to the HKU MUSE series, delivering the regional première of Philippe Manoury’s Soubresauts.